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HomeEntertainmentMovies‘Bimbisara’ overview: Intriguing Kalyan Ram’s film that needed a tighter treatment

‘Bimbisara’ overview: Intriguing Kalyan Ram’s film that needed a tighter treatment


Bimbisara shouldn’t be an extraordinary interval film. It appears as if debutant director Mallidi Vassishta constructed a theme park interval narrative round an thought that is straight out of his childhood fantasy. What looks like a interval time-travel film that places on the guise of a masala hero-vehicle, acquires heft with Nandamuri Kalyan Ram’s presence.

The film begins within the yr 500 B.C when Bimbisara (Kalyan Ram) is the emperor of the Trigartala empire. A vile egomaniac, his violent antics haven’t any restrict. However, his ego journey ends when his banished twin brother Devadatta ambushes him and teleports him — via a magical mirror — to the present-day world. Bimbisara’s arrival favours Subramanya Sastri (Vivan Bhatena) and godman Kethu (Ayyappa P Sharma), who’ve their eyes set on an Ayurveda e book titled Dhanwanthari which is safely locked in Bimbisara’s treasure vault, which solely he can open.

The film doesn’t draw back from coping with magic and isn’t brimming with realism and logic. Unfortunately, the establishing of this world is uninspiring. Scene after scene retains reestablishing Bimbisara’s would possibly and viciousness, to the purpose that you start to fret if the film will have a good time this anti-hero. The cheesy set designs and visible results additionally don’t assist. To add to the distress, we get an merchandise quantity that includes Warina Hussain that as soon as once more sings the reward of Bimbisara’s would possibly. In retrospect, these sequences truly do no justice to what good is to observe.

Bimbisara

Cast: Kalyan Ram, Catherine Tresa, Samyuktha Menon

Direction: Mallidi Vassishta

Music: M M Keeravani

Runtime: 147 minutes

Storyline: Bimbisara, a ruthless king from 500 B.C, will get teleported to the present-day world via a magical mirror

Things do take a flip for the nice as soon as Bimbisara finds himself within the present-day world. So now we have a misplaced medieval king strutting down a busy Hyderabad freeway —paying homage to earlier Telugu movies that includes Lord Yama on earth — making for amusing conditions and eliciting chuckles.

The subtext in these scenes really stands aside. Given how hottest cinema likes to financial institution on the morbid nature of the fact we dwell in, Bimbisara makes a case for all the nice in our occasions. It places a ruthless, barbaric king in our world and makes him witness this goodness. With Bimbisara, we too remind ourselves of how far the civilised society has moved ahead.

The writing of Bimbisara’s character is fascinating as nicely. It isn’t any imply feat to make the audiences purchase the redemption of somebody as vile as this character. He doesn’t even flinch earlier than killing a youngster! Yet, Mallidi Vassishta manages to construct the character development step by step and convincingly. If not for a performer like Kalyan Ram, there may be a excessive likelihood that a character with such an arc would have fallen flat, and with it, the film. Kalyan makes use of the massive display screen to its full potential and owns all of it. He additionally attracts a delicate distinction between Bimbisara and Devadutta in scenes that includes the siblings.

On the flip facet, with the titular character consuming a lot house, little is left for the feminine leads. Catherine Tresa, who performs a princess held captive by Bimbisara, vanishes for many components of the film. Samyuktha Menon’s SI Vyjayanthi additionally suffers the identical destiny. With no forewarning, the latter falls in love with Bimbisara however the romantic observe goes nowhere. Srinivas Reddy as Bimbisara’s lackey Zubeda, Vennela Kishore as constable Prasadam, and Brahmaji as non-public detective Brahmalokam add the much-needed levity.

Bimbisara is full of intriguing concepts that may have made for a fascinating watch. It’s undoubtedly a refreshing tackle an age-old method. However, the screenplay struggles to get to its factors all through the film. Even once we see the place an thought is main, we’re requested to attend for it till the drama finishes unfolding. Add the pointless melodrama and the plotholes that the film does not handle, it turns into a fairly tedious watch. A tighter narrative would have labored wonders.



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