Google search engine
HomeEntertainmentMoviesDo family dramas find space in movies?

Do family dramas find space in movies?


Once the mainstay of Indian cinema, sentimental family tales are actually struggling to find an enormous viewers

Once the mainstay of Indian cinema, sentimental family tales are actually struggling to find an enormous viewers

When the Indian leisure trade moved away from mythologies in the mid-Nineteen Fifties, social dramas took over. Most of them have been primarily based on both Bengali novels or shorts tales. Tamil cinema of the time too mirrored this modification with movies comparable to Padikkatha Medhai and Padithaal Mattum Podhuma. Most of those movies have been front-lined by Sivaji Ganesan and have become tremendous hits as nicely, generally outrunning MGR’s action-packed tales. These high-on-emotion films tugged on the viewers’s heartstrings, who didn’t thoughts going again to the theatre for repeated viewing.

From Padikkatha Medhai.
| Photo Credit: THE HINDU ARCHIVES

It was a time when tv was nonetheless a faraway dream and the Internet was unknown. But with the appearance of tv in the Seventies, the family drama regularly shifted to the small display, the place it continues to rule. This didn’t imply that the style completely disappeared from the large display. Writers and administrators like Visu, Okay. Bhagyaraj and Vikraman by no means misplaced their perception in its timeless enchantment. Lingusamy, who got here to be recognized for his action-based love tales like Run and Paiyya, made his debut with the much-loved family drama, Anandham.

From Padithal Mattum Podhuma.

From Padithal Mattum Podhuma.
| Photo Credit: THE HINDU ARCHIVES

Popular remakes

From Missiamma.

From Missiamma.
| Photo Credit: THE HINDU ARCHIVES

From the black and white interval to color period, sentimental family saga has been common in the remake circuit too. Telugu cinema developed a penchant for social dramas like Missiamma, however its major affinity was in direction of mythologies. There has all the time been an enormous viewers for the sentimental and emotional narratives. For occasion, the latest RJ Balaji movie Veetla Visesham, a remake of the Hindi hit Badhai Ho, has introduced the older of us again to cinema halls. The much-loved Rajinikanth-starrer Baasha additionally had a family story and a friendship as its central plot.

From Veetla Visesham.

From Veetla Visesham.
| Photo Credit: The Hindu Archives

A great movie all the time brings all types of audiences into its fold. Lokesh Kanakaraj’s Vikram in its eighth week, and now in its OTT run, has appealed to each the younger and the previous. This motion movie in its climax has a person saving his family in opposition to all odds. How can we then say family films don’t have any takers?

In 2013, the Telugu multi-starrer, Sitamma Vaakittlo Sirimalli Chettu introduced collectively two heroes from two totally different generations, Venkatesh and Mahesh Babu, together with a bunch of well-known actors. Producer Dil Raju organised unique screenings of this “deep-rooted family movie” for ladies.

From Bhaley Pandiya.

From Bhaley Pandiya.
| Photo Credit: The Hindu Archives

Due to prohibitive prices of remaking the movie, it was launched in its dubbed model throughout Tamil Nadu. Earlier, Tamil movies like these of A. Bhimsingh’s starring Sivaji Ganesan and different stalwart actors can be remade and launched in Telugu with virtually the identical bunch of actors; solely the hero and the comic/villain can be forged anew.

This was doable as a result of many of the South Indian movies have been shot in studios comparable to AVM, Vijaya-Vauhini, Gemini and Prasad in Madras. These family dramas focussed primarily on performances, dialogues and feelings. Which is why we had actors of the calibre of Sivaji and Savitri, to not overlook Balaiah, Manorama, M.R. Radha, Nagesh, and Ranga Rao. They may all emote effortlessly. Humour is more durable to duplicate, which is why a movie like Bhale Pandiya (an all-time favorite of our family throughout generations), in which Sivaji and M.R. Radha don a couple of function, nonetheless holds its personal.

From Michael Madana Kamarajan.

From Michael Madana Kamarajan.
| Photo Credit: The Hindu Archives

Comedy can draw each the family and younger viewers. Something which Kamal Haasan proved together with his movies written by Crazy Mohan ( Michael Madana Kama Rajan is maybe a becoming tribute to Bhale Pandiya). We get to observe the clips of those movies on-line however not often on TV. One wonders why, particularly when retro songs are sometimes remixed and re-released. .

Comedy, motion or social dramas, the fact is that solely few movies in the present day cater to the family viewers. Is it a mirrored image of the nuclear family system turning into the norm, or the altering tastes of movie-goers? Your guess is pretty much as good as mine. ‘Per vachaalum vaikkaama ponaalum mallivaasam’ and ‘Rambhambham aarambham’ from Michael Madana Kamarajan have been remixed by Yuvan Shankar Raja not too long ago.

The author is a content material producer, author, artiste and curator.



Source hyperlink

RELATED ARTICLES

LEAVE A REPLY

Please enter your comment!
Please enter your name here

- Advertisment -
Google search engine

Most Popular

Recent Comments

English हिन्दी
%d bloggers like this: