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‘Maamanithan’ movie evaluation: Vijay Sethupathi, Gayathrie try their best to save this simple melodrama from sinking


Despite an pleasurable first half, ‘Maamanithan’ ends with none kind of payoff

Despite an pleasurable first half, ‘Maamanithan’ ends with none kind of payoff

Seenu Ramasamy’s heroes will not be atypical however extraordinary. They are extraordinary to the proportion that they’re, in truth, superheroes. But not like your common superheroes, Seenu Ramasamy’s heroes draw their superpower from their virtuousness and goodwill gestures. In a way, they aren’t simply kind-hearted however have the guts of gold. So, it is just pure that Seenu Ramasamy’s screenplays are gold-plated minus the seikuli (labour) and setharam (collateral injury).

But the actual injury in writing such good tales is, it turns into a tad simplistic and generic after a degree. This is each a very good and dangerous factor in Maamanithan. You revel within the simplicity of the plot and heave a sigh of aid for the existence of such plain tales, till your prayers go unanswered.

Maamanithan

Cast: Vijay Sethupathi, Gayathrie Shankar, Guru Somasundaram and Shaji Chen

Director: Seenu Ramasamy

Storyline: Deserting his household over a case of actual property fraud, Radhakrishnan is on the run. Will there be a redemption?

Maamanithan is a simple story of a simple father Radhakrishnan (Vijay Sethupathi) and his simple spouse Savithri (Gayathrie in yet one more function the place she has to endure. Please, can we now have higher characters written for her?) and his simple kids. It is tough to guess the movie’s timeline however going by the wallposters, it appears like Maamanithan is about within the Nineties — how acceptable, you may surprise. For, it has the vibe and emotion of V Sekhar’s movies from the identical period.

Vijay Sethupathi as Radhakrishnan takes delight in being the primary auto driver in his city Pannaipuram, the hometown of music legend Ilaiyaraaja, who has composed for the movie alongside together with his son, Yuvan Shankar Raja. In the opening portion, we see Radhakrishnan together with his children and their routine: they take a trip within the auto, cease by at a tea store owned by Ismaiel (Guru Somasundaram) to have eggs and purchase freshwater fish.

There is a phenomenal scene the place the daddy tells the youngsters that at any time when they undergo a tough time in life, they want to take a run. Because operating, apparently, makes the thoughts recent and offers you readability to assume. What a boring piece of recommendation, you may assume. But what Radhakrishnan says echoes right into a plot level within the second half, the place the roles get reversed and the daughter tells the daddy to run. This little second within the opening portion supplies the drama for the second half, the place Radhakrishnan is on the run. And he’s operating all via his life, carrying the burden on his shoulder.

Maamanithan runs for over two hours. It is among the many shorter movies Seenu Ramasamy has made; the shorter runtime will be attributed to not having sufficient materials. The first half is the place the movie’s most pleasurable. There is a story-within-story after we come to know Radhakrishnan and Savithri’s cut-short love story. It is a bedtime story that the daddy tells his daughter however one thing about this acquainted story makes you cheerful, regardless that the style during which they get married shouldn’t be precisely extraordinary.

But the movie shifts gears throughout the interval level to turn into a melodrama. Whatever little pleasures that you just to date loved in Maamanithan get weaker within the second half. By the time the movie ends, you’re feeling it’s incomplete. One’s unsure if it was due to funds points, however regardless of the case, Maamanithan ends abruptly with none kind of payoff.

There is a thread within the second half that saved me considering. Radhakrishnan has left city to take refuge someplace in Kerala, the place he meets a widow and her daughter. For a few years, he continues to stay away from his household, although he continues to present them monetary help. In one other movie, one other filmmaker may need felt tempted to present some kind of emotions that Radhakrishnan could have developed for the widow and her daughter. But Seenu Ramasamy’s movies will not be about manithans however maamanithans — when Ismaiel warns Radhakrishnan about sparrows constructing nests in his newly-built home that he locks up, the latter says, “It is okay. At least they have a house, no.”

In my Kaathuvaakula Rendu Kaadhalevaluation, I had written this about Vijay Sethupathi: “Something needs to be said about Vijay Sethupathi and the astonishing ability he possesses to remain sincere to the character he plays. Just watch out for him in the end when someone asks how he could love two women at the same time. Vijay gives a lame explanation using the film’s title. But something about his voice, the way he says it, makes you feel it comes from the heart. He makes you believe.” This holds true for Maamanithan too .

Just watch the person when he will get a meet-cute scene with Savithri or when he bursts out in anger at his to-be brother-in-law. Vijay Sethupathi makes it look real. Maamanithan is that script the place each Sethupathi and Gayathrie do extra for the movie than what it does to them.

Maamanithan is at present operating in theatres.



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