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‘Konda’ movie overview: An unintentionally hilarious film from Ram Gopal Varma

Ram Gopal Varma’s ‘Konda’ is yet one more film the place his experimental methods lead to a weird final result

Ram Gopal Varma’s ‘Konda’ is yet one more film the place his experimental methods lead to a weird final result

When Ram Gopal Varma burst into Telugu cinema within the late Nineteen Eighties after which made inroads into Hindi cinema, he redefined the then prevalent strategies of filmmaking. His unconventional storytelling methods impressed a legion of aspiring filmmakers. In latest years although, a lot of his movies have ended up as experiments gone fallacious. His new Telugu film Konda, impressed by a chapter within the lives of politician couple Konda Murali and Konda Surekha, is yet one more weird experiment. 

Stepping again into the Nineteen Eighties and Nineteen Nineties when sociopolitics of Warangal and close by areas have been interconnected with the Naxal motion, RGV traces the journey of Konda Murali and Surekha from their faculty years till they enter politics. Thrigun, previously referred to as Arun Adith, portrays Konda Murali and Irra Mor is solid as Surekha. Prashant Karthi dons the a part of Naxal chief RK, who was an in depth aide of Konda Murali. 

Konda Murali is portrayed as an indignant younger man who takes on wrongdoers and beats them to a pulp. It doesn’t take lengthy earlier than Surekha takes a shine to him, because of his machismo on campus. In RGV’s world of Konda, there’s little or no room for characters with out spunk. As Surekha, Irra Mor wears her coronary heart on her sleeve, be it in a school fest or thereafter when she manoeuvers Murali out of tough conditions. Tulasi as Murali’s mom is made to behave in a peculiar method. In an early scene, she asks Murali to depart behind his cinematic anger. How does one outline her anger although? Rather than coming throughout as a brave mom, she is made to behave like she is a part of a horror story through which you can’t guess her subsequent transfer.


Cast: Thrigun, Irra Mor, Prudhvi

Direction: Ram Gopal Varma

Music: DSR Balaji

Gradually, the sound design and cinematography transfer into the horror movie zone, unmindful that the story is a political drama, making all of it unintentionally hilarious. 

In one scene, Murali and Surekha ask a personality to depart his little little one of their care whereas he’s on a mission to settle scores. The woman little one is of their care, and a stunt sequence performs out elsewhere. The background rating amps up ‘twinkle twinkle little star’, as befits a horror film. In a hospital sequence, the elevator announcement is amped up (even when the elevator stays closed), there are loud phone rings (although it has no relevance to the sequence) and the ending of one other stunt sequence is signified by a temple bell. Again, it has no relevance.

If the sound is utilized in an odd method, the music is not any completely different. Lines which are neither prose nor lyrical are set to music when villagers take somebody to activity; an analogous format is used later when the Naxals encompass the cops. The music composition, lyrics and the voices are amateurish at finest.

The digital camera angles too get tedious because the film progresses. Sudden, jerky actions between characters throughout an argument, or the digital camera wanting up at actors from beneath tables, chairs, you identify it… Remember how Amitabh Bachchan was framed whereas sipping chai from a saucer in Sarkar? We get related pictures of Prudhvi, who performs a politician, and naturally, the result’s each annoying and humorous.

How a lot of Konda is actual is a debate for an additional time. As a film, it takes loads of endurance to take a seat by it.

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