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Lakshmi Gopalaswamy: ‘Both are powerful roles’

While the actor-dancer performs an older girl wooed by a youthful man in ‘Anantham’, in ‘Namoorina Rasika’, she performs a girl opposing outdated rituals

While the actor-dancer performs an older girl wooed by a youthful man in ‘Anantham’, in ‘Namoorina Rasika’, she performs a girl opposing outdated rituals

Lakshmi Gopalaswamy. The title brings to thoughts a standard magnificence with giant, dancing eyes, a classical dancer of reputation and an actor, who can carry off any function on display with elan. Born and introduced up in Karnataka, the dancing sensation carved a distinct segment for herself on display within the Malayalam movie trade with Arayannangalude Veedu with Mamooty. “I played a wife and mother of two,” Lakshmi says. “At that time, it felt like a safe option as cinema was an unknown field.”

Lakshmi, has received hearts along with her function within the Tamil web-series Anantham, directed by V Priya. She can be engaged on the Kannada web-series Namoorina Rasika, for the platform, Katte, based by the Jugari brothers (SD Aravinda and Avinash).

While in Anantham, she performs the function of an older girl who’s wooed by a youthful man, in Namoorina… she performs a girl, who opposes outdated rituals corresponding to tonsuring the top of kid widows. “Both roles are powerful. Anantham, shows that there are roles for women of a certain age. I am honoured to be part of Namoorina… as it is based on the works of the legendary writer Guru Ramaswamy Iyengar.”

On why we see so little of her in in Kannada movies, Lakshmi says, “I was offered roles. Being a classical dancer and having had the aesthetics of movement ingrained in me since a young age, I could not visualise myself doing the dance numbers that were created for films then. In Malayalam films I was offered roles of a mother or wife, which was bereft of such demands from me as an actor.”

Lakshmi says she has slowed down her tempo because the pandemic and the lockdown. “Having lived with a packed schedule for years, the lockdown put me into an introspective mode. It was time to rethink and re-pattern my life choices. Seeing the drastic effect of the virus, taught me to be grateful and value what I have. “

The isolation gave her the space to heal, Lakshmi says. “When you become a public figure and an influencer, it makes demands on your time and energy. You end up being fragmented in every aspect. You do not have the bandwidth to take on your creative pursuits and are driven by deadlines. You find yourself on the treadmill.”

Not having a set wage, prompts actors to tackle no matter works comes by, Lakshmi feedback. “The stress of having to take on every kind of work, eased in the past two years. Life took on a slower pace and taught me to just ‘be’ in the present and not worry about lost opportunities. The pandemic taught me to live an organic life.”

Lakshmi received essential popularity of her function within the Kannada movie Vidaaya the place she performs the spouse of a paraplegic man who helps his struggle for euthanasia.

There is not any dearth of content material in Kannada cinema, Lakshmi says. “I hope we start thriving on OTT too. Kudos to the KGF team, as they have put commercial cinema in Kannada back on the global map. The numbers are talking for the film. I applaud Yash for what he has done with KGF for Kannada cinema. To know that a Kannada film has beaten many big films hollow at the box office is an achievement and let us hope we manage to stay up there in the game.”

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