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HomeEntertainmentMovies‘Aadavallu Meeku Johaarlu’ movie evaluate: Where is the humour?

‘Aadavallu Meeku Johaarlu’ movie evaluate: Where is the humour?


What begins as a humorous drama descends right into a melodramatic, boring narrative that the gifted actors can not salvage

What begins as a humorous drama descends right into a melodramatic, boring narrative that the gifted actors can not salvage

‘It’s all about the ladies’ might have simply been the tagline of Aadavallu Meeku Johaarlu. The lead pair performed by Sharwanand and Rashmika Mandanna apart, the Telugu movie brings collectively Radhika Sarathkumar, Urvashi and Khushboo together with Jhansi, Satya Krishnan, Rajashri Nair and Kalyani Natarajan. Does the script have sufficient meat in it to warrant the presence of all these gifted ladies? We shall get to that in a bit.

But first, the world of Aadavallu… Chiranjeevi (Sharwanand) grows up in the firm of his mother (Radhika) and aunts who dote on him. They smother him with a lot affection as a toddler that he learns to do a tightrope stroll to maintain all of them completely happy. He is a pleasant man however is finally pissed off at not discovering a bride who can be permitted by all of them. 

A premise like that may pave the manner for a narrative with loads of humour. Those crackling moments are far and between, like a sip of water to parched throats. For most of the movie, an inescapable tv serial temper hangs in the air. The males of the home break the fourth wall in the starting and inform us that they may seem from time to time and that the ladies will take centre stage. So we get a number of scenes that includes the ladies dressed of their greatest and doing the issues that on-screen completely happy joint household ladies do — slicing apples or making pickles.

The seven ladies who’re portrayed as completely happy homemakers are contrasted by Khushboo as a single mom who helms a small scale business and her daughter Aadhya (Rashmika Mandanna), a lawyer. We don’t get to see Rashmika as a lawyer, since the story is focussed on her private life. There’s one scene the place a lady seeks her assist for a case and one other the place she stares into her workplace desktop, simply to ascertain that she is a working lady. Never thoughts.

Aadavallu Meeku Johaarlu

Cast: Sharwanand, Rashmika, Radhika, Urvashi, Khushboo

Direction: Kishore Tirumala

Music: Devi Sri Prasad

While we all know what troubles Chiranjeevi (there’s an enormous poster of Chiranjeevi from Gang Leader so as to add credence to Sharwanand’s character identify) early on, Aadhya is inscrutable in the starting and with good cause. The narrative takes its time to ascertain the rising bond between Chiranjeevi and Aadhya, punctuating it with a hilarious scene the place she buddy zones him in a restaurant. In many of those parts, Sharwanand and Rashmika preserve us invested in the proceedings.

The entry of Aadhya’s mom ought to have moved the story into high gear. But it fritters away the alternative by selecting the tried and examined route of Chiru getting into Aadhya’s mom’s manufacturing unit to win her approval. Khushboo’s characterisation of a single mom who doesn’t belief males simply rings rather more actual than the different seven ladies who’re portrayed in a cliched method. We get a touch of Urvashi’s emotional vacuum and why she dotes on Chiru. As for the different ladies who’ve their daughters, is their love for Chiru primarily as a result of he is the sole male youngster in the joint household?

Other subplots are available in as Chiru tries to win the approval of Khushboo. The gag involving Sharwanand and Vennela Kishore in the home of a goon, whereas making an attempt to assist a buddy, ensures laugh-aloud moments. It is enjoyable to observe Vennela Kishore stringing collectively the names of Malayalam movies to kind a gibberish sentence, earlier than transferring on to ‘Manike mage hithe’ and signing off as Shyam Singha Roy. 

The Chiru-Aadhya drama ends solely in any case the ladies have spoken their minds. The arguments are properly meant — about each Chiru and Aadhya placing their households first and the ladies, given their very own household backgrounds, studying to have a look at different factors of view. But it will get melodramatic and boring. In between, as if to distinction the geniality of the ladies in Chiru’s family, we get to see Jhansi as a bitter single mom. Though it is straightforward to know what makes her the manner she is, this is a one-note character that doesn’t get a due closure as the story progresses.

The movie scores when it comes to aesthetic manufacturing design and cinematography (Sujith Sarang), however the script wanted some life. Devi Sri Prasad additionally tries to infuse the movie with some mirth together with his music. If solely the movie had extra humour! There’s a pre-interval scene the place Urvashi brings the corridor down. To underutilise an actor like her appears like a legal waste.



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